But occasionally I’d seem to trip the camera up and have a vertical line leaning on the electronic shutter version, but not with the mechanical one. Add this to a 1-inch, back-illuminated 20.1MP Exmor CMOS sensor with Fast Hybrid AF and you have a seriously powerful combination. As noted earlier, the longer zoom range prevented Sony from including the built-in ND filter of earlier models, making the Mark VI less practical for filming video in daylight with motion-friendly shutter speeds. The screen’s main failing is that it’s not especially bright, so unlike the TZ200’s it’s not very usable in direct sunlight. New to the RX100 series is Bluetooth connectivity, but it’s only used for geotagging your images, and disappointingly you don’t get any of the neat features it brings to the Panasonic TZ200 or Canon PowerShot G1 X Mark III. The RX100 VI is a great little camera, but the biggest question is whether it’s worth $1,200. It simply works out of the box as it should and I continue to love Sony’s approach where NFC phones automatically fire-up remote control or image transfer depending on whether the camera’s in record or playback when touched against the handset. Remember this is something which eludes most rival compacts, so if you’re looking for a compact that can capture action, the RX100 VI should be on your shortlist. The solid-feeling camera is really small, measuring just 4 x 2.4 x 1.7 inches and weighing 10.7 ounces with battery and memory card loaded. The first problem is that £1150 price tag. This is not only completely silent, but offers shutter speeds up to 1/32000, giving the Mark VI four additional stops of exposure control over the mechanical shutter. © 2020 Condé Nast. 24 fps continuous shooting with full continuous AF 4. You can apply a selection of Creative Styles, which also provide manual tweaking of contrast, saturation and sharpness. Note you’re not allowed to adjust the optical zoom in the panorama mode – it sets itself to wide automatically and stays there. To be fair the previous models weren’t great in that regard, but if you’re shooting between 24 and 70mm, the Mark VI won’t be able to deliver as much blurring in the background. Current page: The RX100 VI is a brilliant camera and more accomplished than the, Touchscreen LCD for choosing focus points. With RAW disabled, you can choose from Toy Camera (with five different filters), Pop Colour, Posterisation (in Colour or Black and White), Retro, Soft High Key, Partial Colour (with the choice of red, green, blue and yellow), High Contrast Mono, Soft focus (with the choice of Low, Mid or High), HDR Painting (with the choice of Low, Mid or High, or as I like to call them, awful, horrendous or appalling), Rich Tone Mono, Miniature (with the stripe of focus variable between Auto, Top, Middle Horizontal, Bottom, Right, Middle Vertical or Left), Watercolour, or Illustration (with the choice of Low, Mid or High). But you pay for what you get. Autofocus is achieved from Sony’s Fast Hybrid autofocus system with 315 phase-detection points covering about 65% of the sensor paired with additional contrast detect points for more coverage. We highly recommend getting your hands on one before you buy, if at all possible. Above: Behind two small flaps on the right side of the camera you’ll find the RX100 VI’s two physical ports: Micro HDMI and Micro USB, both employing standard sockets so you can use standard cables; as before, the camera charges its battery internally over USB and a full charge got me around 200 shots in practice or around an hour’s worth of video. 3-inch rear touchscreen LCD 6. Successor to the RX100 V, it shares the same 20 Megapixel 1in sensor with confident phase-detect autofocus for stills and movies, 4k video, 24fps shooting with autofocus, and a wealth of slow motion video options at 240, 480 and 960fps. A 24-200mm lens isn’t exactly a lot in the world of point-and-shoots — for even less money, the Nikon P1000 will give you a ridiculous 24-3,000mm range. Several Canon G Series cameras also feature large sensors, but don’t have wide focal ranges — and none offer 4K video. If you’re heading out on a scenic trip and you want something more than a smartphone — and have the cash to spare — then the RX100 VI checks all the boxes. There’s a raft of additional advanced features, including Hybrid Log-Gamma for HDR recording, and super-slow motion video at 250fps, 500fps, or 1000fps. As before, the phase-detect AF system works alongside a contrast-based system for speed, accuracy and low light capabilities, although interestingly Sony’s resisted upgrading it from the previous 25-area system of the Mark V to the finer areas of the latest Alpha bodies. We definitely recommend picking up a spare before taking this camera on vacation, especially if you also plan on shooting any video. Note none of these pocket cameras are weather-proof, although underwater housings are available. Successive RX100 generations have maintained Sony’s technological lead, with the adoption of a tilting screen in the RX100 II, a pop-up viewfinder and large-aperture zoom in the RX100 III, 4K video in the RX100 IV and high-speed shooting on the RX100 V. The cost has also shot up along the way, but Sony’s solution has been to keep every model on the market at tiered price points. However, photographers who like to shoot portraits will gain more from the extra zoom than they’ll lose from the smaller f-number. The small NB-BX1 battery is rated for 220 to 240 shots per charge, depending on whether you use the LCD or viewfinder. With its 20MP 1in-type sensor giving vastly better image quality than the tiny sensors previously used in this type of camera, it made the competition obsolete at a stroke. The big new feature of the Mark VI is its lens, starting at the same 24mm equivalent focal length of its predecessors, but now extending way beyond their 70mm telephoto to a much longer 200mm. Above: Sony’s RX100 VI looks almost identical to its predecessor and at 102x58x42.8mm measures the same from the front but is only 1.8mm thicker to accommodate the longer zoom. But it’s relatively clunky and unintuitive and is now looking rather dated. At 25mm it reduces to f3.2, then to f3.5 at 30mm, and to f4 at 40mm. We attended a Native American hoop dance competition at the Heard Museum in Phoenix, and the RX100 VI made it easy to sharply capture the rapid motion of the dancers.

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